Okja
Bong Joon Ho’s latest is perhaps most similar to his 2006 picture The Host: it’s a genre-bending, CGI-heavy creature feature. But the similarities end there. In an attempt to rejuvenate her shady multinational agribusiness’ moribund image, CEO Lucy Mirando (Tilda Swinton) launches a heavily stage-managed contest in which 10 enormous “superpigs” are distributed to local farmers across the globe. Ten years later, South Korean entrant Okja is the clear winner – but Mijo (An Seo Hyun), the granddaughter of the local farmer in charge of the pig, isn’t willing to let her go just yet.
The script veers from pastoral contentedness to slapstick to full-tilt effects-heavy action, but at heart this is a grand social satire in the tradition of Network, Dr. Strangelove or The Bonfire of the Vanities. Bong tries to get a few jabs in at the animal activists led by Jay (Paul Dano), and asshole celebrities get a punching bag in the figure of Johnny Wilcox (Jake Gyllenhaal), but the largest target by far is the Mirando Corporation and its attempts to gussy up its cold-blooded greed via the sundry tools of modern PR. The comedy is broad and occasionally falls flat: some scenes feel like failed improv. And the social satire isn’t the most ingenious ever put on screen. But the action is first-rate, and – crucially – the creature is exceptionally well executed; so much so that the scenes between Mijo and Okja are completely believable, and form the healthy emotional heart of a wide-ranging, ambitious, and risk-taking film.